The Hawklike Guy We Loved To Hate
The Chicago Tribune (December 20th 1989)
By Bob Greene
One of the features that newspapers always run at the end of every year is a
list of notable people who have died since the previous Jan1. These
lists usually appear with the deaths mentioned in chronological order,
beginning with the January deaths. Thus, the death of Lee Van Cleef - who
died last Saturday in Oxnard, Calif. - will appear toward the very end of
the 1989 lists. If it appears at all, that is; many editors may not consider
Van Cleef a "major" celebrity.
Which is a story in itself. Lee Van Cleef, who was 64 when he died, had a
long career as a villain in movies - mostly Westerns and cowboy
movies. Almost without exception, Van Cleef was cast as a bad guy. And he
was very convincing as a bad guy; movie audiences looked at him, and they
were scared of him and they hated him and they wanted the hero to kill him.
He was a bad guy in some of the Clint Eastwood "spaghetti Westerns," and he
was a bad guy in some low-budget films, but the movie that
established him as a bad guy was one of the best movies ever made - "High
Noon," the 1952 Western that won the Academy Award for its star, Gary
Cooper.
In "High Noon," Cooper was cast as the heroic marshal of a town called
Hadleyville. On his wedding day, he learns that Frank Miller, a killer
he put in prison, is coming back to town on the noon train. Three members of
the Miller gang - including the bad guy played by Lee Van Cleef - are in
Hadleyville to wait for Miller. The Gary Cooper character could leave - but
he doesn't. He stays to face down the Miller gang. All four of the Miller
gang die.
"High Noon" was perhaps the pinnacle of Cooper's career - the movie that
established him as the ultimate cinema symbol of decency and
honor. In a way, "High Noon" may have been the pinnacle of Lee Van Cleef's
career, too. You watch that movie and you see Van Cleef - with
his sinister face - and you can't wait for Gary Cooper to put him away. If
Van Cleef's assignment was to make movie audiences despise him, he did a
wonderful job of it.
And now that he's dead, perhaps it is worth spending a moment or two
thinking about why he was chosen for that particular assignment. Certainly
his path through life had been conventional enough: He was born in New
Jersey, he served in the U.S. Navy, he worked as a farmer, a gas station
attendant, a painter and an accountant before going into acting. People who
knew him say that he was a pretty nice guy.
But Gary Cooper was cast as the heroic marshal, and his performance in that
role still has the power to bring tears to people's eyes. Lee Van Cleef was
cast as Jack Colby, one of the fearsome desperadoes in the Miller gang.
Why the casting? In an interview 20 years ago, Van Cleef said he believed it
was because of his nose. Lee Van Cleef's nose was often
described as a "predator's nose," and his face was often described as
"malevolent" and "wicked" and "hawklike."
"I didn't speak a word in 'High Noon'," Van Cleef said in the interview - a
fact that may be surprising to people who think they
recall every detail of the movie. His portrayal of the villainous Jack Colby
was so memorable that it is hard to conceive that he did it without
speaking.
Van Cleef said that when "High Noon" was being cast he was offered a more
glamorous role in the movie - "providing I would have my nose
fixed." Van Cleef declined to have the nose surgery, and thus was relegated
to the dastardly Miller gang. "Now, people remember this beak," he said.
And that was the determining factor in the course of his career, really. Lee
Van Cleef's face - a face with that oft-described
"predator's nose" - made him the ideal bad guy. Van Cleef was a fine actor;
Gary Cooper was a fine actor. It's senseless to compare the
acting abilities of the two men, but it's fair to point out that Lee Van
Cleef received the roles he did because of what his face looked like. Gary
Cooper? Well, Gary Cooper looked like Gary Cooper.
The great majority of us aren't movie stars, but the Gary Cooper-Lee Van
Cleef rule often applies nevertheless. If your face has a certain
look, people can imagine you as the heroic marshal. If your face has a
different look, people can see you only as one of the henchmen in the Miller
gang. Even if you never say a word. Especially if you never say a word.